In “Myself in the Distant Future," the city-dwelling Sinjun falls head over heels for a woman named Sunyang from the countryside | Image: KCTV
While real North Korean society has always been stratified, official ideology presents all North Koreans as one happy family. Even if state media recognizes some differences, such as the rural-urban divide, these are framed as temporary considerations that can be overcome through revolutionary struggle and loyalty to the state.
North Korean films and other popular media often promote the theme of city youth flocking to rural communities with an aim to reform backwardness and eliminate discrepancies between urban and rural areas. The film “City Girl Marries a Village Fellow,” for example, presents volunteers from the city as enthusiasts who deeply respect people living in the provinces, who are essentially not much different from them.
While real North Korean society has always been stratified, official ideology presents all North Koreans as one happy family. Even if state media recognizes some differences, such as the rural-urban divide, these are framed as temporary considerations that can be overcome through revolutionary struggle and loyalty to the state.
North Korean films and other popular media often promote the theme of city youth flocking to rural communities with an aim to reform backwardness and eliminate discrepancies between urban and rural areas. The film “City Girl Marries a Village Fellow,” for example, presents volunteers from the city as enthusiasts who deeply respect people living in the provinces, who are essentially not much different from them.
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Tatiana Gabroussenko obtained her PhD in East Asian Studies at the Australian National University. She is currently a professor of North Korean studies at Korea University, Seoul. Her latest book, "Soldiers on the Cultural Front: Developments in the Early History of North Korean Literature and Literary Policy," was included in the Choice magazine list of Outstanding Academic Titles of 2012.